Trey Knowles delivers a hilarious stand-up bit about Walt Disney’s kids’ content, joking that Disney isn’t as “innocent” as it looks. Trey playfully claims that before you know it, your kid goes from watching cartoons to waving a magic wand and wishing on stars. He cracks jokes about how witches and wizards seem to pop up in every movie, teasing that Disney must have a secret spellbook somewhere in the studio. With exaggerated warnings and over-the-top reactions, Trey pretends to alert parents to “protect their kids” from magical influence — all in good fun, turning fantasy tropes into comedy gold.

In How Do Psychics Stay in Business, Trey Knowles humorously questions how psychics manage to keep their doors open while so many other businesses fail — especially when rent prices keep rising. Trey jokingly adds that if psychics truly knew their destiny with God, they probably wouldn’t be psychics at all.

 “I Come In My Father’s Name” by Trey Knowles is a powerful, prophetic-style song that blends spoken-word proclamation with spiritual lament. Drawing on biblical imagery and echoes of “Go Down Moses,” the song contrasts the mission of divine service, life, and liberation with forces portrayed as oppressive and destructive. Through repeated refrains and a call to “Let Yeshua people go,” it weaves themes of deliverance, identity, and resistance against spiritual bondage. The track channels the voice of a messenger sent to uplift, free, and restore, invoking the story of Moses to frame a modern cry for freedom and faithfulness.

Trey Knowles’ “Scarface People” is a fast-paced stand-up comedy bit where Trey takes on the strange obsession gangsters and cartel fans have with the movie Scarface. He jokes about how they idolize crime bosses, glorify the dead, and slap “RIP” tattoos on their bodies while crying, teeth gnashing, and pretending they’re on a first-name basis with the Grim Reaper.

“Skeleton Heads Lovers” – A Comedy by Trey Knowles

Trey Knowles — “Prisoners of War”

We were indigenous people, dependent on God, living among our tribes, rooted in the land, breathing freedom without chains, without bills, without debt, without masters. We worked the soil with our hands and fed our families with what the earth provided. We walked in balance. We carried spirit. We were a holy people. Then one day the enemy came, not with peace but with fire, with steel, with lies, with hunger for power.

They stole our land, they killed our elders, they destroyed our villages, and they turned human beings into property. They beat us until our backs were maps of suffering. They raped our women and shattered our families. They hung us on crosses and trees as warnings. They stripped away our names, our languages, our identities, and forced us to speak their words, worship their systems, live by their rules. 

They treated us like animals, branded us, sold us, caged us, and demanded that we call them “master” while they played God. They did not only steal our bodies — they attacked our minds, poisoned our culture, erased our history, and worked to rip the image of God out of us. Now our children grow up confused, disconnected, searching for themselves in broken systems that were never built for them. 

They learn to love chains they cannot see. They accept the ways of the beast: greed, violence, division, addiction, hatred, and emptiness. We are still bleeding from wounds that never healed. We are still fighting battles that never ended. We walk free in name but bound in spirit. This is not just history — this is warfare. This is generational. This is psychological. This is spiritual. We are survivors, but we are also captives. We are standing, but we are still under occupation. We are breathing, but we are not fully alive. We are a people stolen from ourselves. We are prisoners of war.

Trey Knowles’ “Contentment” is a funny stand-up piece that flips the so-called American Dream on its head. We’re told to live to work and work to prepare for death — but that’s not the life God designed for you. That’s the life the enemy sells. While the world pushes life insurance, God already prepared the way for eternal life. He’s done the heavy lifting. The pressure is off. Your job isn’t to grind yourself into the ground — it’s to live, trust, and learn how to be content.

Many Americans are shocked to learn that their country is home to an ancient pyramid that stands as tall as 100 feet. Mysteriously, the fascinating history of Cahokia and its Monks Mound pyramid aren’t covered in most schools. Be that as it may, Cahokia was the largest pre-Colombian urban settlement north of the Rio Grande. And at its peak, it even had a bigger population than London at the time.

Cahokia started developing in the 10th century, and it became the most important settlement to the Mississippian culture from around the year 1050. Over the course of a couple centuries, Cahokia’s population would grow to as large as 40,000 people. And throughout their city, which took up an area of around 6 square miles (16 km2), the Cahokians built hundreds of mounds.

While the Cahokians left behind no written records, we know that the city was a thriving center of trade. It’s located just outside of modern-day St. Louis, while various materials found at the site come from as far as the Gulf Coast and the Great Lakes.

But for some reason, by around the year 1400, the city was mysteriously abandoned. There’s still a lot we don’t know about the ancient metropolis, but the city’s layout reveals a highly advanced knowledge of astronomy and geometry.

Today, despite its relative obscurity, getting to the Cahokia mounds is surprisingly easy. The site is a relatively short drive from St. Louis, while a tour around the mounds shouldn’t take more than half a day.

Who Were the Mississippians?

This mountain in Washington State has an eerie resemblance to the ancient pyramids of Egypt.

Tumtum Mountain is a small volcanic cone located in northern Clark County, Washington, at the edge of a flat region known as Chelatchie Prairie. Its remarkably symmetrical, cone-like shape makes it stand out from the surrounding landscape. The mountain rises to an elevation of 2,004 feet (611 meters), towering approximately 1,400 feet (430 meters above the prairie floor).

Formed by lava flows during the Pleistocene epoch, Tumtum Mountain is part of the Cascade Volcanic Arc. At an estimated age of about 70,000 years, it holds the distinction of being the youngest volcano in Washington’s Cascade Mountains and the westernmost in the range.

Trey Knowles’ “Chasing the Wind” is a hilarious stand-up routine where Trey breaks down life’s greatest scam: vanity on top of vanity. Everybody’s out here sprinting after success, money, and approval—basically chasing the wind… and spoiler alert: the wind never clocks in.

Trey Knowles’ “America’s Day of Tribulation” is an eye-opening allegorical message that challenges how Christianity has been practiced in America and Europe. Trey points out that these nations followed the ways of Saul before he became the Apostle Paul—persecuting the Israelites while justifying their actions through a distorted understanding of Christ’s forgiveness. Despite the persecution, the Israelites did not fight back, choosing obedience and love as taught by Christ Jesus.

Trey Knowles' “Members of Your Own House Is Your Enemy” is a short, confrontational comedy built on satire, scripture, and sharp irony. In the set, Trey jokes about refusing to waste his time arguing with people who only mock faith instead of seeking truth, saying he won't cast “pearls” to audiences who have already made up their minds.

He then turns his focus inward, humorously criticizing churches and religious institutions that, in his view, compromise their convictions and selectively follow God's will. Through exaggerated contrasts and blunt punchlines, Trey explores the frustration of spiritual hypocrisy and the idea that opposition often comes not from outsiders, but from those who claim to share the same faith.

The comedy lands on a recurring, tongue-in-cheek refrain that captures the heart of the set: sometimes the biggest enemies aren't strangers—but members of your own house.

Trey Knowles’ The Justice League is a short, comedic satire about “superhero Christians” who compromise with the world—even though God the Father tells us not to love the world. Instead of following Him, the Justice League Christians do the opposite, claiming “liberty for some and justice for all.”