Corporations of America love money and they do anything for it, causing people to get sick slowly and die. Corporations entice people to sin from their products and, Congress helps by allowing the corporations to do whatever they want. Corporations of America are no different from the snake in the garden. The love of money is the root of all evil and you can see that in the American corporations. Trey Knowles's allegory comedy “The Democratic Congress Way” describes just that.

Trey Knowles’ Hollywood Judgement Day is a thought-provoking comedy that uses allegory to examine the spiritual principle that those who bless Israel will be blessed, and those who curse Israel will be cursed. In the story, Trey wrestles with a provocative question: What if Europe, America, and even the churches have misunderstood who they are blessing—and in doing so, are cursing the true Israel through hatred toward certain groups of people based on skin color? By raising this tension, Trey challenges his audience to think more deeply about faith, identity, and accountability. Drawing on Matthew 25:40—“The King will reply, ‘Truly I tell you, whatever you did for one of the least of these brothers and sisters of mine, you did for me’”—the narrative emphasizes the weight of influence. Those who lead others away from the spirit of God risk placing a spiritual burden upon them. In contrast, those who guide people to live in alignment with God’s spirit become a source of blessing.

Hollywood Judgement Day

In Project 2025, Trey Knowles delivers a sharp, fearless comedy special that examines America through a completely different lens—without turning it into a blame game. With a church on every corner and a Bible in nearly every home, Trey asks one bold question: If we’re so spiritual, why do we still act so wild? Blending satire with biblical references, Trey playfully compares modern America to the days of Jeremiah, when leaders were urged to turn from chaos and get their house in order. What if the issue isn’t politics—but priorities? What if the real “campaign platform” is character? Through clever storytelling and exaggerated comparisons to kings like Zedekiah and reformers like Josiah, Trey imagines what renewal would look like in today’s culture. Project 2025 isn’t a sermon—it’s satire. It’s Trey holding up a mirror, cracking jokes, and challenging the audience to laugh… and maybe think a little deeper. This is comedy. The comparisons are playful, the references are symbolic, and the message is wrapped in humor—not hostility.

Trey Knowles’ “Surrogate” is an allegorical comedy that explores the intersection of faith, technology, and the condition of the human spirit. Through satire and symbolic storytelling, the performance reflects on humanity’s growing dependence on technological power while questioning what is lost when spiritual guidance is replaced by human innovation and self-reliance. Within the narrative, a character inspired by Elon Musk is portrayed as a modern, Brainiac-like figure—an inventor whose pursuit of advancement borders on attempting to control creation itself. In contrast, Trey Knowles appears as Clerk Kent, a messenger figure delivering a cautionary warning: humanity must exercise humility, repent, and resist the temptation to assume the role of God. Core Themes Explored in “Surrogate” Faith vs. Technology: The comedy examines the tension between trust in divine purpose and reliance on technological solutions, suggesting that innovation should not replace spiritual grounding. Human Hubris: Through satire, the story highlights the risks of unchecked ambition when individuals attempt to reshape life or creation without moral restraint. Repentance and Humility: The narrative calls for self-reflection, encouraging audiences to recognize human limitations and respect the sacred boundaries of creation. The Human Spirit: Beneath the humor lies an affirmation of humanity’s spiritual resilience, emphasizing faith, conscience, and moral responsibility in an increasingly technological world. Together, these elements create a thought-provoking comedic parable about modern society’s relationship with faith, morality, and innovation. Disclaimer: This work is presented as comedy and satire. The jokes and portrayals are intended for entertainment and artistic expression and are not meant to be taken literally or as factual statements.

Indiana Jones

In this hilarious, globe-trotting comedy, Trey Knowles assembles the most unexpected adventure team ever: Indiana Jones, Dora the Explorer, and Diego. Their mission? To track down and expose the mysterious “Deceiver of the World.” The Deceiver thrives on lies, twisting the truth to gain power and keep humanity spiritually distracted. By counterfeiting Christianity and disguising himself as an angel of light, he attempts to confuse the world and keep people from walking in the Spirit of God. But this isn’t just another treasure hunt. Instead of searching for ancient artifacts, the team follows clues that uncover the Deceiver’s kingdom—revealing how imitation faith differs from the true character of God. Through humor, discovery, and bold adventure, they learn that exposing deception is as simple as comparing the counterfeit to the real thing. Because when you know the character of God, the fake becomes obvious.

The Bible has several verses that warn against myths and meaningless speculations. Here are some examples:

Help me to separate from the world my Lord. The only thing that matters to me is love and living by the spirit through obedience. I will concern myself with nothing of the world. My treasure is doing God's will. My heart is absent from the world, and my spirit is present with God. The world is not my kingdom. In the Lord, I am in perfect peace.

Nat Turner (October 2, 1800 – November 11, 1831) was an enslaved Black carpenter and preacher who led a four-day rebellion of both enslaved and free Black people in Southampton County, Virginia in August 1831.

Nat Turner's Rebellion resulted in the death of 55 White men, women, and children before state militias suppressed the uprising, while 120 Black men, women, and children, many of whom were not involved in the revolt, were killed by soldiers and local mobs in retaliation. Turner was captured in October 1831 and executed after a trial in November. Before his execution, he told his story to attorney Thomas Ruffin Grey, who published The Confessions of Nat Turner in November 1831.

In 2002, scholar Molefi Kete Asante included Nat Turner on his list of 100 Greatest African Americans. Turner has been depicted in films, literature, and plays, as well as many scholarly works.

Turner was born into slavery on October 2, 1800, in Southampton County, Virginia. Southampton County was a rural plantation area with more Black people than White. Benjamin Turner, the man who held Nat and his family as slaves, called the infant Nat in his records. Even when grown, the slave was known simply as Nat; but after the 1831 rebellion, he was widely referred to as Nat Turner.

Turner knew little about the background of his father, who was believed to have escaped from slavery when Turner was a child.  However, Turner grew up "much attached to his grandmother".

Turner learned how to read and write at a young age. He was identified as having "natural intelligence and quickness of apprehension, surpassed by few". He grew up deeply religious and was often seen fasting, praying, or immersed in reading the stories of the Bible.

Benjamin Turner died in 1810, and his son Samuel inherited Nat. When he was 21, Nat Turner escaped from Samuel Turner; but he returned a month later, after becoming delirious from hunger and receiving a vision that told him to "return to the service of my earthly master". In 1830, Joseph Travis purchased Turner; Turner later recalled that Travis was "a kind master" who "placed the greatest confidence" in him.

An 1831 reward notice described Turner as:

5 feet 6 or 8 inches [168–173 cm] high, weighs between 150 and 160 pounds [68–73 kg], rather "bright" [light-colored] complexion, but not a mulatto, broad shoulders, larger flat nose, large eyes, broad flat feet, rather knockneed [sic], walks brisk and active, hair on the top of the head very thin, no beard, except on the upper lip and the top of the chin, a scar on one of his temples, also one on the back of his neck, a large knot on one of the bones of his right arm, near the wrist, produced by a blow.

Turner was deeply religious and was often seen fasting, praying, or immersed in reading the stories of the Bible. He had visions that he interpreted as messages from God, and which influenced his life. The historian Patrick Breen stated, "Nat Turner thought that God used the natural world as a backdrop in front of which he placed signs and omens." Breen further states that Nat Turner claimed he possessed a gift of prophecy and that he could interpret these divine revelations.

Turner often conducted religious services, preaching the Bible to his fellow slaves, who dubbed him "The Prophet". In addition to Blacks, Turner garnered some White followers such as Ethelred T. Brantley, whom Turner baptized after convincing him to "cease from his wickedness".

When he was 21, Nat Turner escaped but returned a month later, after receiving a vision that told him to "return to the service of my earthly master". In 1824, Turner had a second vision while working in the fields for Thomas Moore: "The Saviour was about to lay down the yoke he had borne for the sins of men, and the great day of judgment was at hand".

Historian David Allmendinger notes that Turner had ten different supernatural experiences between 1822 and 1828. These included appearances of both the Spirit communicating through a religious language and scripture along with the visions of the Holy Ghost. By the spring of 1828, Turner was convinced that he "was ordained for some great purpose in the hands of the Almighty".

Turner said he "heard a loud noise in the heavens" while working in Moore's fields on May 12th "and the Spirit instantly appeared to me and said the Serpent was loosened, and Christ had laid down the yoke he had borne for the sins of men, and that I should take it on and fight against the Serpent, for the time was fast approaching when the first should be last and the last should be first". Historian and theologian Joseph Dreis says, "In connecting this vision to the motivation for his rebellion, Turner makes it clear that he sees himself as participating in the confrontation between God's Kingdom and the anti-Kingdom that characterized his social-historical context."

During the 1820s, Turner was motivated by strong convictions, at least partly inspired by his religious beliefs, to organize his fellow slaves against enslavement. His deep spiritual commitment served as a significant influence on slaves within the surrounding plantations in Virginia. After Turner viewed the solar eclipse in 1831, he was certain that God wanted the revolt to commence. 

Edomites Wickedness Behind the Scenes by Trey Knowles:

Watch the world closely. Watch those who say that they are a gentile nation. Watch those heathens. Do they match the image of God? Be an eyewitness and tell all of your family and friends.

The devil took Jesus to a high place and showed him all the kingdoms of the world. The devil said, “I will give you all these kingdoms and all their power and glory”. The devil said, “If you worship me, it will all be yours”. Jesus responded, “Away from me, Satan! For it is written: 'Worship the Lord your God, and serve him only.

How are you responding to the devil, are you responding like Jesus? The European Red Man said yes to the devil and the devil's ways to have the world.

The devil took the European Red Man to a high place and showed him all the kingdoms of the world. The devil said, “I will give you all these kingdoms and all their power and glory”. The devil said, “If you worship me, it will all be yours”. the European Red Man responded. Yes, I will take it.

Why do you follow the European Red Man and his ways?

Those who call themselves Gentiles, the shadow of death is near you if you do not repent, come out her way. If Sodom and Gomorrah had the advanced intellect of faith, that you claim to have it would not have been destroyed.

Hebrews 13:5 says, "Keep your life free from love of money and be content with what you have, for he has said, 'I will never leave you nor forsake you.

Exodus 20:17 says Do not covet” which is a commandment from God that prohibits having an unlawful desire for something that belongs to someone else.

My Lord says in 1 John 2:15-29. Do not love the world or the things in the world. If anyone loves the world, the love of the Father is not in him.

Why are those gentile nations trying to influence you to gain the world and love money? What those heathen Gentiles and stay away from their pagan rituals and holidays.

Do not allow them to influence you. Why do they colonize? Why do they do the opposite of God's character?

Their stomach has become fat from the things of the world. They have been wrestling with pigs for pig's food. This greed does not come from God but from the devil.

Now watch Edomite's wickedness behind the scenes, those who call good evil and evil good. He deceives the whole world with his disobedient deeds, He causes havoc to all mankind to conquer the world.

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Trey Knowles’ “Archetype” is an allegorical comedy about an orchestrated kingdom that plants seeds—like the seeds in Jack and the Beanstalk—in order to possess and destroy the avatars of the earth for the benefit of their royal master. The comedy opens with Trey Knowles witnessing the arrival of the naked Terminator—symbolizing the falling angels—descending from the sky and unleashing chaos upon the avatars of the world. The Terminator begins manufacturing weapons and distributing them among the people, orchestrating conflicts that cause them to destroy one another. By arming both sides of every conflict, the Terminator becomes like a prostitute of war, selling destruction to all. Yet the Terminator pretends to be righteous, proclaiming, “I have nothing to do with this—these people are uncivilized sinners,” while secretly watching them annihilate one another with the very weapons he supplied. Meanwhile, the children of Hagar and Rachel suffer the consequences, as the weapons of the Terminator bring devastation upon them. Drones rain destruction from the sky. Trey Knowles references Terminator: Rise of the Machines as a visual metaphor to illustrate this archetype—comparing it to the naked conqueror archetype embodied by figures like Alexander the Great, who spread chaos and conquest across nations. In this allegorical comedy, Trey Knowles speaks directly to the avatars of the world about the nature of archetypes—forces that influence cultures and civilizations. These archetypes can transform nations, turning places like Saudi Arabia into something resembling Las Vegas, reshaping societies and cultures into the opposite of their original nature. “Archetype” ultimately explores the contrast between the archetypes of good and evil—the seeds from which actions and kingdoms grow. The message is rooted in the ancient passage from Genesis 3:15: “And I will put enmity between you and the woman, and between your offspring and hers; he will crush your head, and you will strike his heel.” Through satire, symbolism, and comedy, Trey Knowles reveals the ongoing struggle between these two seeds—the seed of destruction and the seed of redemption.

Trey Knowles brings perfect eyesight in the allegoric comedy Black Netanyahu and The Evangelicals

Trey Knowles allegory message is to Netanyahu and the Evangelicals the heavens are watching you.

"Translate," which is an allegorical comedy. In this special, Trey Knowles uses the story of Alkebulan, whose land was taken by his brother Adam, to convey messages about forgiveness and understanding. Will Scipio Africanus and Esau love us back? The allegorical comedy goes even deeper into The Son of the Red Earth, which means Adam in Hebrew, the disobedient son of the Red Dragon. Allegory Code Edomite. This is comedy, and the jokes in this comedy are not to be taken seriously.

Matthew 4: 4-11- Jesus Is Tested in the Wilderness

 King Charles III is a descendant of Vlad the Impaler by Trey Knowles

Recap King James of King James bible version killed his own mother to become King. Yes, that King James. He is also a descendant of the dragon Vlad the Impaler also.

Present day of year 2025. King Charles III is a descendant of Vlad the Impaler, the 15th-century Romanian ruler who inspired Bram Stoker's Dracula:

Ancestry

King Charles is the 16th great-grandson of Vlad the Impaler through his great-grandmother, Queen Mary of Teck. Mary is thought to be descended from two of Vlad's sons.

Vlad the Impaler

Vlad the Impaler, also known as Vlad III or Vlad Dracula, was a brutal warlord who impaled his enemies on wooden stakes. His brutal actions inspired Bram Stoker's Dracula, though historians suggest that Stoker based the character more on Romanian folklore.

King Charles's connection to Romania

King Charles has a fascination with Transylvania and owns several properties in Romania, including in Viscri, the Zalanului Valley, Malancrav, and Breb. He visits the region every year and opens up his properties to visitors. He also supports The King's Foundation Romania, which works with local communities to develop practical skills.

Honorary title

In 2017, King Charles was invited by the mayor of Alba Iulia to accept the honorary title of Prince of Transylvania.